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In Diablerets, FIAD reflects changing climate and mentality
The 55th Vaudois Festival will take place in the mountains from August 3 to 10. We chose it together with the director Benoît Aymon.
You don’t have to climb a mountain to experience the thrill of mountaineering. Let It Baern proves it.
Disaster Recovery
Dazzling shots, dynamic exploits and pulsating emotions. The Alpine Film Festival (FIFAD) will take us to the peaks here and elsewhere, coinciding with the harvest season in Les Diablerets from August 3 to 10. “For me, FIAD must reflect an era,” emphasizes artistic director Benoît Aymon. Since I arrived here six years ago, I have noticed that we are facing a double revolution.
First, there was the technological change. “My generation of filmmakers grew up with a GoPro in their crib. Then came drones, and the FVP drone, which allowed us to live vertically with the athletes.” Then, there was the change in mentality. “Before, in mountain films, helicopters were an integral part of the film, and people descended from them like James Bond. Now that’s all over, Benoit Aimon points out. We are witnessing an awareness of global warming. In the mountains, it’s really palpable, and climbers see the retreat of glaciers.”
These revolutions permeate the eclectic and vibrant show. It’s a choice.
«Last Summit »
In the spring of 2023, Sophie Lavaud and her high-altitude companion Sangay Sherpa made history. Together they reached the summit of Nanga Parbat, nicknamed “The Killer Mountain”. They became the first Swiss woman and Frenchman in the world to climb all 8,000-meter peaks. François Damiano filmed their dazzling adventure. “When you watch the film, you know the ending, you know they will succeed. What’s incredible is the way the director manages to keep us in suspense. This is not a biography, but the perspective of a filmmaker-guide observing an explorer. (Saturday, August 3)
«Sedna Road »
From La Rochelle to Greenland, this film directed by Ramona Waldner offers us a 100% female epic, interweaving long voyages and high-altitude climbs. “I really loved the encounter between the mountains and the sea in this feature film,” reveals the artistic director. (Monday, August 5)
«Living with Wolves
Bertrand Bodin
Filmmaker Jean-Michel Bertrand concludes his wolf trilogy with a documentary that gives voice to defenders and critics of the predator. “The return of the wolf is one of the key themes of the festival,” emphasizes Benoit Aymon. “But we are trying to build bridges to show all sides of the issue, highlighting the shepherds’ point of view.” (Wednesday, August 7)
«Dimitri, Mison, and others”
Disaster Recovery
Mountain guide Dada Oreiller is passionate about bearded vultures. For seven years he has followed with his camera a pair of these raptors that nest in the Bagnes Valley. “The film has a slightly amateurish side, which gives it all its charm. Dada Oreiller sticks to his ideas and that’s what makes the result beautiful.” An ode to patience… (Wednesday 7 August)
«Deep climate, the climate facing humanity”
National Geographic/Pablo Durana
Ten women, ten men facing extreme climatic conditions… Christian Clot films twenty people on a 120-day journey through tropical forests, arid deserts or polar environments. The experiment was carried out within the framework of a scientific protocol to better understand the effects of global warming and learn about our ability to adapt. “Christian Clot has an iron man side. With this film, we feel that he has matured,” says Benoit Aymon. (Thursday, August 8)
«Arctic Rising »
After winning the Oscar for Best Documentary with Free Solo, we find Alex Honnold at the heart of Richard Ladkani’s film. The American climber, accompanied by glaciologist Heïdi Sevestre, takes us to the heart of Antarctica. In this film, the athlete is committed to demonstrating the urgency of global warming awareness. (Friday, August 9)
«Wild Days »
Disaster Recovery
Four top mountaineers travel across Alaska. Over the course of fifty days, and as they scale two of North America’s highest peaks along the way, they oscillate between intense friendship, palpable tension and doubt. The theme of the climate crisis also runs through John Guignard and Alex Marchesseau’s film. (Friday, August 9)
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