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Alfredo Aceto is awake and still creates art
The Italian, who lives in Geneva, managed to talk about car moguls, matriarchal societies and the art system in the same exhibition in Lausanne. Bright!
In Alfredo Aceto’s exhibition, we see the system of contemporary art unfolding “behind the scenes”.
Julien Gremaud/Circuit, Centre d’Art Contemporain, Lausanne.
Men without sleeves, women without arms… But what happens next has nothing to do with the release of a new Netflix series or a prequel to a Hollywood series. Everything in the world presented by Alfredo Aceto at Circuit, the Lausanne contemporary art center, is real. In today’s world, we must know behind the scenes to worry less. Know its foundations and its legacy. But also its meanderings and wanderings.
Nothing is free in the exhibitions of this 30-year-old artist from Turin, who trained at ECAL and Los Angeles Hills School of Art. He knows very well how to arouse curiosity, create atmosphere and create narrative threads through telescoping reflections.
There is a stark contrast between an installation reminiscent of Sergio Marchionne (left) and a mural depicting a matriarchal civilization (right).
Julien Gremaud/Circuit, Centre d’Art Contemporain, Lausanne.
The man without sleeves is Sergio Marchionne, the iconic boss of Fiat, considered a strategist committed to profitability but also remembered for his boring wardrobe of black sweaters. Alfredo Aceto washes, cleans and re-cleans identical samples before assembling them into compositions that are both spectral and opaque. As a sign of disempowerment, their sleeves embody another lineage in the choreography that is characteristic of the Neolithic civilization of Cucuteni-Tripilla, a society represented by women…without arms for labor. But with the power to decide.
The exhibition therefore speaks of equality, success, prosperity, priorities, restlessness, imbalance. A reflection on systems, more than just an economics lesson. For Alfredo Aceto, elegance is not only reflected in the white shirt he always wears, but also in knowledge. And in a clever suggestion.
Are we done with contemporary art that grapples with questions but does not get answers, thus risking a loss of readability and interest…
I believe that if there is this sincerity, if we talk about things that come from ourselves, then the question of accessibility does not arise. There is no distance, and everyone can understand this sense of urgency, which is human. I do not decide in advance what the final look of my work should be, and this is perhaps what defines it. I write through. Yes, these more diagrams help me clarify and build a narrative. But the root is often compulsive: neurosis. These themes have always haunted me.
Alfredo Aceto, a native of Turin, now lives in Geneva.
Matteo Angelo
Everything is moving so fast, can art ever stop and reflect?
We have reached a stage where fear of the future has become common and justified. But history provides us with the knowledge to interpret the present, and the tools to be more reactive in interpreting the present. I think these tools (of which art and culture are a part) are even more important when we are involved in a Manichaean dynamic. Like now!
Will the role of the artist change? Less political, militant or controversial. More philosophical…
I’m not very satisfied with these definitions, but in my opinion, artists record the times in which they evolve and leave traces for history. The times we live in are very complex and difficult to understand, and so is the role of the artist. This is also stimulating in a way.
Alfredo Aceto didn’t hide anything, he encouraged people to find it.
Julien Gremaud/Circuit, Centre d’Art Contemporain, Lausanne.
Some people also believe that we should not add more burdens to the times, and art should reduce the burdens of the times. Not you?
In my opinion, it is rather a doubling of commitment to bear witness to the complexity in which the world struggles. I think we can not only bear this complexity, but also be open to different audiences, different cultures. It is imperative to get rid of the Western-centric vision. Today, speaking only to a single community, a single country, a single school of thought is fruitless.
Circuit de Lausanne, until July 27, Tuesday to Saturday (2pm to 6pm). www.circuit.li/
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