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Lara Seixo Rodrigues, curator and producer of One Thousand and One Urban Art Projects, connects the dots. “I don’t just believe in this wall. This wall is a memory that remains.”
On the wall of a house next to Estarreja station, Wells carved parts of the story of Dona Florinda and the harvesting and husking of rice. In Porto, next to São Bento station, André da Loba carved a portrait of Dona Henrique so that he could see himself. Samina traced the lifeline of “Dona Viseu” in the historic center of Covilhã and Manuel Barraos, who was in charge of the looms of Coimbra. Artists, people and their memories. Lara Seixo Rodrigues, curator and producer of One Thousand and One Urban Art Projects, connected the dots. “I don’t just believe in this wall. This wall is a memory that stays.”
Laura loves to get lost. And to dig up stories. And to find people, dusty jobs and traditions that might otherwise disappear. “I want to see the whole world”, he confesses to Fogas. “I have a globe where I take notes.” But your world is next door. It’s in Estarreja, Covilhã and Arganil (“I’ve never seen improvement committees anywhere else, everyone is trying their best to get things right”), it’s on the corner of Cascais, behind São Bento station, in the heart of Porto. “They ask me for a project and I come and say ‘Show me everything'”. They show you the best they know. It takes care of the rest, revitalizing and creating memories through urban art, valuing those who have small but great stories to tell, finding common ground between equipment, museums, traditions and local personality.
“I am very inspired by people’s stories and their experiences. Knowing that you have touched people’s intimate stories and brought them back to life. In practice, we don’t invent anything, we just record what already exists. These are the most common stories. Some of them have been forgotten”, said Lara Seixo Rodrigues at the epicenter. EstaFor the second year in a row, he is researching the raw materials of Estarreja – Maria dos Tamancos and Dona Florinda, Loja da Preciosa and Ecoria, the history of rice cultivation and husking, “a record that did not exist”. “Suddenly, you start learning these songs, discovering that these women walk with their skirts rolled up, sinking in water, with leeches crawling up their legs”, he stresses. “Portugal was a big surprise for me, all these experiences had to be recorded anyway.”
Graduated in Architecture, with a resume of action projects, clickable on her Facebook page – through your fingers: ESTAU, The one who made the mistakeWallis, Rata 65, woolKraxas, Espigar nas Gentes… – Laura believes it changes the city. “And the people”, he adds. “The more I know about a place, the more I know how to argue and suggest actions to be taken there to enhance, improve or correct something. Art must also play this role. I always try to choose walls to host the right artists in the right place. All the great festivals that take place abroad also follow the path of social intervention, inclusion and integration, what can this add to the city? Through careful and diverse curation, we hope to build a community legacy”.
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