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Paris Haute Couture Week reminded us that many people believe that the most gorgeous clothes in the world are only available to the rich and connected few. But that doesn’t mean the shows can’t be beautiful.
Held in late June, this year’s event was exciting in part because of presentations by designers Robert Wun, whose collections showcased his eye for timeless silhouettes and ornate details, Nicolas Di Felice, who designed the latest Jean Paul Gaultier couture collection, and Daniel Roseberry of Schiaparelli. Another standout was Thom Browne, who used lighter fabrics to create intricate pieces that looked practical and breathable — two words not usually used to describe couture.
Nicolas Di Felice’s collection for Jean Paul Gaultier was sleek and fitted during Haute Couture Fashion Week in Paris on June 26, 2024. (Simbarashe Cha/The New York Times)
Outside of the shows, the dress style in the crowd is a mix of formalwear and streetwear. It’s increasingly difficult to distinguish, sartorially, between fashion superfans (students, bloggers) and industry regulars (editors, A-list celebrities). The former, in large part because of technology, have easier access to holy grail garments that once belonged primarily to the latter. This seems to contradict the premise of exclusive events like couture week. But to me, the more people dressed up, the better. —The New York Times
The Devil Himself: A person dressed as Miranda Priestley, the fictional fashion editor from the film “The Devil Wears Prada,” holds a mock copy of Vogue magazine outside the Balenciaga fashion show during Haute Couture Fashion Week in Paris on June 26, 2024. (Simbarashe Cha/The New York Times)
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