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Rita This work, through its unique way of narrating/elaborating the tragedy of the Hogar Seguro Virgen de la Asunción, removes the trauma of the girls and makes them more relatable and real to most. It preserves your memory. It allows to pay tribute and allows you to mourn them as part of the necessary mourning. It is part of the record that constitutes one of the tragic stories of our country. It opposes the consolidation of conservative visions into a set of political and religious ideas and assessments that justify crimes and tragedies.
It is important to remember that on 8 March 2017, International Women’s Day, 41 girls died in the so-called “ Tragedy at Our Lady of Asuncion’s Safe Houselocated in the municipality of San José Pinula. The center is run by the Secretariat of Social Welfare of the Presidential Palace; there were complaints of ill-treatment and abuse by staff. In protest, the girls organized a riot and ran away. When they were arrested, they were locked in a room. They set fire to mattresses and were prevented from leaving, causing a fire that killed most of those trapped and burned others.
(frasepzp1)
There are several tragedies in this story. The first is the path the girls took to get to such a place. Abuse, discrimination, different types of violence and poverty intertwined in their previous lives. The second is the process of incarceration, deprivation and abuse that culminated in the brutal death of the girls, the burns and trauma of the survivors and the suffering of the family members. The third is the reaction of the divided society, one part of which expressed incomprehension and condemnation. Because there are indeed many people and sectors who openly expressed the guilt of the girls for their “criminal behavior” and for the arsonists.
RitaWritten and directed by Yaro Bustamante, the creator of “Maison de Producer”, “La Casa de Cinema” offers a perspective on this tragedy from the unique vision and power of cinema. The first thing to emphasize is the technical quality of the film. Likewise, the quality of the director and the production company Tremor, Ikskan yes Crybabycontinues to take another step forward in film production across the country. The quality of the script, set, performance and special effects are all very good.
In addition, through the special storytelling method, full of fantasy elements (As the director said, it’s like a fairy tale), allows for a social articulation of the trauma of the girls of Our Lady of Asunción’s Safe House. With the visual power of cinema, the girls who lived and died in that space are presented in full. They tell the painful stories of why they came to that place, and the horrors they experienced during their stay there. It brings closer the humanity of the girls who organized because they wanted to escape confinement and violence. He contrasts his own humanity with the version that accuses them.
Obviously, this work started with complaints from relatives, journalists, human rights organizations and feminists, who contributed by drawing attention to what happened, presenting information, performing different rituals to preserve memory and seek justice in this case. In this sense, the trial of several defendants also contributed. However, the distribution and reproduction characteristics of films, such as Ritawhich helps society articulate trauma and interpret the significance of the above tragedy.
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