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- Artists are able to control and stylize intestinal gases expelled from the body
- Paris Moulin Rouge owners know scandal is paying off
- The extreme creations of the ghost artist Joseph Pujol or Le Petomane fascinate the audience
The legendary Parisian nightclub Moulin Rouge has never been known for its coy managers, as it was here that the first public dance to showcase female thighs, the Cancan, began its journey to conquer the world. However, the strangest performer in the history of this 135-year-old venue is clearly Joseph Pujol, known only as Le Petomane, which means the Prankster.
The low-level vaudeviller first graced the institution’s stage in 1892. Performing elegantly in a red tailcoat that matched the colors of the evening, he assured the audience in advance that his work would not have any accompanying odor, as he worked hard to ensure that his performances in the public eye were odorless.
According to newspaper articles of the time, Carnival goers heard only minor explosions as warm-ups, such as a gas burst from an acrobat blowing out a candle flame. After his initial tricks, Pujol raised the bar and was able to perform entire scenes with flirtatious sound effects. On the wedding night, the bride was a very quiet, modest puke, and the ten-second-long flirtation was intentional. Imitation of a tailor tearing a dress. On his best days, he was also reportedly able to imitate a cannonball firing, to the audience’s applause. Later, he also created pieces that included smoking through a rubber tube fixed to his buttocks, playing a flute, and reversing the path of human gases to suck water from a bucket.
But the artist wanted more, and he toured the world, performing in cities in Europe and Africa. Pujol retired in 1910 and opened a bakery in Marseille, then a biscuit factory in Toulouse, advertising his products with posters from the Moulin Rouge period. He died in 1945 at the age of 88. As early as the 1900 Paris World’s Fair, Edison’s company filmed his performances, but it was still the era of silent films, so the best part of the performance – the sound effects – was not preserved for posterity.
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