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The Last Supper It is one of the masterpieces of the versatile Leonardo da Vinci. He is widely known for the frescoes he painted in the Dominican monastery in Milan between 1495 and 1498. As a result, they have been used over the years in a variety of formal or irreverent spaces.
Feast of the Gods This is an oil painting from 1514 by Giovanni Bellini, also an Italian. Festival of the Gods This is a work by Dutchman Jan Harmensz van Bijlert, created in 1635. Leonardo da Vinci focused on Jesus Christ and his closest followers, while the other two artists used their ingenuity to allude to the gods of Mount Olympus.
There is no doubt that Leonardo da Vinci’s works are part of the world’s popular culture, as his identity is common due to his appearance in books, movies, TV series, mass consumer products, etc. On the contrary, those of their counterparts do not reach or approach the same dimension, but this does not reduce their quality and relevance.
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The 33rd Olympiad of the modern era, which brought together 10,714 athletes from 206 countries in 32 sports, was partially overshadowed by the discomfort caused by the musical performance of singer and actor Philippe Katerine. Immediately, different voices publicly opposed the organization for offending the Catholic Church and its parishioners.
“It’s clear that this is Dionysus, who comes to the table as the Greek god of festivals and wine,” said director Thomas Jolly, who, before this passage appeared, would have explained and clarified that he had nothing to say about Leonardo da Vinci’s iconic image.
It is worth noting that in The Last Supper There is a relaxed atmosphere among the four groups into which Jesus Christ and his companions are divided, while in the original by Harmensz van Bijlert no fewer than 20 characters are observed among the angels, gods and mortals, who are mainly dancing, drinking and eating. A chaotic area. As for Bellini, his setting is rural.
All public engagements can be judged as good or bad, depending on the point of view of the witness. The ritual performances or animated moments of sports matches are no exception, even if they are not the central theme of the competition. In fact, the outpouring of controversy and passion usually comes from the referee’s decisions or the attitude of the athletes; however, in Paris, an off-field incident occurred.
Given that the first deployment of the Olympic Games required suggestions, planning and rehearsal by different hands, eyes and minds, it is surprising that no one at the top of the organization noticed the waves that Kettering and company would make, or perhaps he minimized them. In fact, Harmensz van Bijlert became notorious overnight and the number of visitors to the Avignon Magin Museum, which houses the paintings that many people talk about, will likely increase.
Provocation, blasphemy, opportunism, a consistent stance or simply, Olympus in disarray, the reality is that the festive atmosphere that opens the global competition is tainted and virtual entanglements do not miss the opportunity to fall into ignorance or motivate oneself to learn more.
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