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he The second number Alternativethe magazine Cuban Filmmakers Conference (ACC)it is already on the network. Its distribution is free, and the collaborators do not charge for the text, but its production is inspired, just like Independent Film Producers Association Most of these works come from companies that are recognized in the academic or film fields, but for political reasons would not be accepted by state-regulated publications.
this Censorship and its rejection is a recurring theme in the second issue Alternative; and a conversation about ACC itself. This issue begins with an interview with director Orlando Rojas (David’s Girlfriend, Secondary Characters, Constantinople at night), who lives in exile in Miami, tells us the story of how his film was censored Closed for maintenanceAlfredo Guevara interrupted its filming, citing financing problems as an excuse. Hopes for ACC and the continuation of Rojas’ film work outside Cuba were also themes of this conversation.
In an article, professor and essayist Margarita Mateo Palmer promised to investigate Desiderio Navarro’s reading of Tomás Gutiérrez Alea’s collection of letters—Retrace my steps——. This interpretation is based on the marks and underlinings made by the essayist in the book of Teton that he owns. But Margarita Mateo’s text is not just a comparison of the views between intellectuals and filmmakers, but an evocation of these two guardian figures, accompanied by the political concerns they share with the author: questions such as the ethical legitimacy of the revolution, its losses for authoritarianism, “the dangers and mistakes that not only distort the project but also lead to its failure.”
“There are different ways to pave the way for authoritarian governments,” the authors write. “There are also forms of resistance that, while difficult to tame, are not necessarily violent but rather stem from one’s own personal conceptions of dignity and civil liberties.” The authorities’ treatment of the ACC’s attempts at dialogue was excellent.
Provoke teachers to reflect Alina Barbara Lopez (Currently working on the Peaceful Resistance Initiative) On the importance of “looking at ourselves”, Margarita Mateo Palmer concluded that “the inclusiveness and openness of the Cuban Filmmakers’ Congress, which goes beyond the geographical borders of the island and encompasses immigration, a phenomenon that is rapidly bleeding the country especially in recent years, is a way to start ‘looking at each other’, against any form of discrimination and restrictions on freedom of thought and expression…”
one of the A pioneer of the Cuban human rights movement, Professor Adolfo Rivero Caro said, “One person rules because others obey him” and “the authority of a leader is basically based on prestige.” When we Cubans consciously or unconsciously, deliberately or passively support a small group, the power of this small group ends. They rule because we obey anyway. One of the great achievements of the ACC is to strengthen the will to disobey. Every voice that joins, however disrespectful, is a victory.
In the magazine Alternative There is evidence of this expansion. Thus, art critic Hamlet Fernández, writing for the ACC and “Art Made in Cuba,” declares the work of filmmaker Nicolás Guillén Landrián to be curious and transformative: “The motto of the Cuban Filmmakers’ Congress is ‘If our films are free,’ it will be” that can be extended to the entire Cuban artistic and intellectual community: Our art and thoughts are either free or they are not free. For to leave things half-way, whether they be existence or non-existence, is an ontological disgrace.”
Several members of the ACC were interviewed by essayist Ángel Pérez. Interestingly, not only do the interviewees still maintain their will to move forward, but also their approaches and opinions (sometimes contradictory) on the projects they are involved in are diverse, reaffirming its democratic spirit. The path to radicalization in the face of power that defies themSome saw it as a strategic mistake, but others saw it as fatal.
“In an ideal world,” says filmmaker Ernesto Dallanas, “ICAIC and the General Assembly sat down and discussed their positions from the outset, as happened in 2013The difference is that today’s political landscape is more intolerant and the parliament is more diverse and complex. Not recognizing parliament is not recognizing part of the true diversity of this country and the right to dissent. So this is a decision that transcends the presidency. ICAIC. So, while our door is always open to discuss the real fundamental problems of Cuban cinema, we have been clear from the beginning that our right to exist and to resolve these problems depends only on ourselves.”
Two interesting works Memories of Cuban Cinema Contains this amount AlternativeThe first, written by Ariel Pérez Rodríguez, deals with the preparation of Cuban logsThe second, signed by Colectivo Archivestas Salvajes, reveals to the newcomer the reality of Cuban amateur films produced by creative film clubs, which are always opposed by Cubans. ICAICespecially Alfredo Guevara (oddly, this fussy name is repeated in many) Alternative), whose works were lost due to indifference and contempt. The collective intends to restore the framework of these works.
The magazine includes an archive of Sara Gómez on the 50th anniversary of her death, an interview with director Alan González by Astrid Santana, and an essay by critic Dean Luis Reyes titled “The flourishing of those stories that return sovereignty” in recent films, “to the subject in the process of making its own story.”
Freedom is sucked in AlternativeToday’s filmmakers firmly claim to be like this (as Hamlet Fernandez says, this should extend to art and ideas), perhaps because of the fact that: To go out and seek freedom is to have already set foot on the path to freedom.
Magazine Issue 2 Alternative able Download Here.
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