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What we see is a horror thriller in the style of The Silence of the Lambs, with elements of Kiyoshi Kurosawa’s The Cure and David Fincher’s Seven.
You may have heard of this movie Long Legs.
The most successful viral campaign so far this year (although also due to its Philippines official poster) is a horror film produced by Neon, which also released Parasites and The Anatomy of a Fall. Starring Maika Monroe, she is already the breakout horror queen of the 21st century, having created independent hits such as It follows and Observer Already in her experience
Then, Nicolas Cage plays the eponymous Satanic serial killer. This monster is so out of touch with marketing that it borders on an urban legend. The character actor, known for his over-the-top and wild genre films, is unhinged and unfettered as the main villain. His facial expressions and manic energy are both mesmerizing and very, very uncomfortable.
My favorite movie marketing is video It is said that when Maika Monroe first met Nicolas Cage on the set, her heart rate soared to 170 beats per minute. trailerboldly obscure, refusing to give away anything about the film. The entire charm of the film is essentially carefully constructed on the surface, and when you watch it for yourself, it’s like a puzzle to be dissected, a mystery to be solved.
This makes sense, since the film follows an FBI agent, played by Lee Hack (Maika Monroe), who is tasked with solving the elusive clues left behind by a devil-worshipping serial killer. As such, we as the audience are thrust into the detective work, and what we see is The Silence of the LambsA horror thriller with a Kiyoshi Kurosawa-style sleazy touch cureand David Fincher’s Selenium 7en For good measure.
Follow Huck’s story
The film’s synopsis goes like this: FBI agent Hake and her boss, Agent Carter (Blair Underwood), are determined to track down a serial killer who has been active since at least the Nixon era until the 1990s, when the film is set, during Bill Clinton’s era. Long Legs has been leaving clues in a code that has yet to be cracked, and like the Zodiac Killer, his modus operandi remains consistent: three or four murders per family, all involving a father and a daughter with an odd birthday.
First, the best part of the film is its unexpected opening. Unexpected scares, subversive turns, and gut-wrenching moments drive us into the climax. Cage’s villain rarely shows up, always just peeking in the corner of the camera. The background of decades of serial killer cases emerges, and the horrific details are expressed in a detached and calm way.
There’s a stoic quality to nearly every aspect of the film. This mechanical quality is most evident in our point-of-view character, Huck—a feature, not a flaw—which makes her humanity and vulnerability all the more palpable. She’s overly righteous, a result of her continued religious upbringing and a more sinister backstory we learn later.
As far as detective procedurals go, it’s worth noting that most of the puzzles and riddles in recent serial killer movies have become very simple. One complaint is that Batman (It’s an absolutely brilliant film.) Paul Dano’s brain teaser barely counts as a challenge to Batman, unless there is a very far-fetched misunderstanding. Scream The movies, while all very good ones, have predictable plot twists that do little to mask the mystery.
Same thing Long LegsI’m pretty sure ciphers have been the bane of the fictional world for years, but as an audience, we enter this world with Huck, and then she immediately solves them like nothing happened. Why so quickly? We have no idea how difficult this case was, or how much it has taken a toll on the victims and officers over the years.
This also brings me to another point: You don’t feel the weight of time in this film. For an investigation that lasts for decades, it really does feel like everyone is approaching it for the first time. Compare Fincher’s Chinese Zodiac Starring Jake Gyllenhaal and Robert Downey Jr. Chinese Zodiac Inspired by real-life events, the series deftly captures the desperation of reporters and detectives who devote years to uncovering cases, often at the expense of their own mental health and family relationships.
Long Legs It seems to skip all of that in favor of a focused approach; this is Huck’s story. Everything else is weak by comparison, but that doesn’t mean Huck isn’t a compelling protagonist. Her relationship with her mom (Ruth Huck) is a mystery at first, and it’s central to understanding the film’s themes of religious sin and abuse.
Additionally, the remote rural atmosphere plays into the film’s bleak feel. Much of traditional America is like the scenes presented in the film: far removed from the urban landscape, and easily manipulated and turned to evil. Long Legs Linking to universal figures of authority – the president, a father figure, even Satan himself – director Oz Perkins connects these figures to represent different faces of the unseen puppet master, making their influence that much easier.
The nature of these crimes is also disturbing. In all cases, they are domestic murders – seemingly unrelated, but all linked to Long Legs. There is no evidence of breaking and entering; the killers are cleverly ushered into the homes under the guise of religion. America’s underlying sense of insecurity is then weaponized into acts of violence, committed in the name of a misguided desire for peace and security.
From a filmmaking perspective, everything is top notch. The dragging of the shots creates an unsettling atmosphere, and the visuals are excellent. Monroe and Cage’s performances are underrated and will likely be overlooked, as horror performances rarely receive accolades, which is a shame. While all of these aspects are very well executed, the ending kind of falls apart.
The final act becomes predictable. Predictable in a good way, yes, but predictable nonetheless. It doesn’t aim for the stars; it simply stops at the top of a hill that’s barely the size of Mount Everest. It’s disappointing that the film seemed set up for a dramatic finale, but it ends up being a cliché that’s neither satisfying nor downright disappointing. It’s just OK. I just wish, in the end, that the film would retain the same sense of mind-blowing terror that it had in its opening scene. – Rappler.com
“Long Legs” is currently showing in cinemas across the Philippines.
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