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Until the semi-finals of the 54th World Cup, this small country with a population of just over half a million remained unbeaten in world football. That was Uruguay. He won the Paris Olympics (1924) and Amsterdam Olympics (1928) without a single mistake, which were then equivalent to the World Championships. In 1930, he won the first World Cup unbeaten. It was not until 1950 that he participated in the World Cup again and won the championship again unbeaten. In Switzerland, he continued his incredible winning streak. In the semi-finals, the Hungarian machine composed of Puskás, Kocsis, Zibor, Bozic, Sidkuti… The Magic Magyars won 2-0. Everything seemed to be settled, however, a change changed everything: the Argentinian Uruguayan Juan Eduardo Hohberg came on the field and scored two goals, the second goal coming at the end of the game. A feat of God, infinite emotions. It was at this point that the famous narrator Carlos Solé coined the phrase for the story amid the ecstatic shouts in the cabin:
-The defeated lion shakes his mane…
He made a nation cry.
Any narrator in the world who is not guilty of plagiarism could, in the same situation, resort to Don Carlos’s precious metaphor: it would be seen as a tribute. Solé is Uruguay’s national figure.
Antonio Allegri is the historic president of Boca Juniors, recognized for his extraordinary love for the club. In 1984, he saved the club from bankruptcy. Even without becoming a member, the twelve political groups of the club explicitly amended the statutes to appoint him as president. His first action was to donate a million dollars to stop the most pressing lawsuits and pay some small bills, such as telephone, electricity and gas, which were cut off by this glorious institution. Its stadium was closed and the judicial system boarded up the facilities. Relegation was not far away. On the verge of disappearance, Boca, suffocated by the ban, took a breath and started walking again. It seems unbelievable today, but it happened.
One afternoon, we asked him how he identified with Boca and where all this affection came from.
“Boca was fascinating,” he says. As a kid I was poor and we lived in the middle of the countryside in Chacabuco. We didn’t even have electricity. Our greatest hope was to be able to go into town on Sundays. There lived a man who had a huge radio from the old days. We would all sit on the terrace around that ship and listen to the matches. We listened to Fioravanti’s stories and I loved what they said about Boca, about his drive to never give up. It made me dream of great things. It’s an unforgettable image from my childhood. At the age of twenty, when I was about to start my military service, I made my first trip to Buenos Aires. I got off the train and without much talk, I went to see La Bombonera before I even reached the barracks.
This sticking phenomenon is not caused by football itself, but by radio stations. Journalism – radio, newspapers, chart– They spread passion like fire. They took it to towns, villages, cities without important clubs. They dressed up ordinary and sometimes even undignified victories as epic ones and excited the fans. They preached with only originality, the key that opens the door to imagination. Even if the football world is rich, it cannot pay for the services that journalism provides for its popularization and expansion, especially in small and remote places.
Allegri is one of the millions who have been drawn to football, thanks to that delicious little box, but most of all because of the heavenly buzz that football stories bring. How much of the popularity and glamour of the sport of football is due to radio announcers? It is impossible to measure; perhaps they are as powerful a magnet as the great players. How many boring matches have been turned into a exhibit Can radio change our pulse?
Since CONMEBOL showed absolute disdain for journalism during the recent Copa America by not providing even the bare minimum facilities for it, we wonder how much football owes journalism, how it can pay for so much publicity for more than a century…? Even FIFA, with its billions of funds, is far behind.
In the 1970s, all of Argentina was watching José María Muñoz. His classic transmission was the “beep” that sounded in the middle of the story. Each “dot” indicated a goal on another pitch. When a game was over, Muñoz began to give the news report. In the next few seconds, people crossed their fingers and prayed to God that after the announcer said: “Thompson and Williams report”, Juan José Lujambio would appear and say, for example:
-Independiente scored, Bertoni’s 25th goal, Independiente 1-0 Banfield.
Other immovable memories: a few people sitting in a car, in silence, listening to the sound of football. Today’s young people belong to the age of images, digital communications and television, and they no longer like radio stories as much as they used to.
Of course, listening to the games in Europe is different from listening to them here. They look like office workers in front of a microphone. The Latin American stories are also broadcast on television with a unique imprint, just like the style of our football players. There is an imprint, an elegance, an attention to polishing the message, to the sparkling and creative phrases that are pre-conceived for the week. There is also a question about the use of language. This is evident in the almost scientific preparation of the communication and the care of the throat.
If the dressing room is a sacred space where liniment reigns supreme, the cabin has the charm of crisscrossed cables, papers with reminders taped to the glass, and knowing winks between the narrator and the docent.A fascinating area.
In this framework, the Colombians and Uruguayans have the potential to be the kings of the microphone, although Pache The great Colombian narrator Andrade attributes this base stone to the “Riverbed School.”
-The Argentines have had great representatives, such as Fioravanti, whose stories are unusually elegant. Personally, this is the style I like, not crazy, but slow.
In all the cities of South America, radio has always been a special vehicle for communication. More than that, it is an art that emerges from the popular. In every story there is a narrator and commentator whose spark elevates them to the realm of myth.
“Cosmic kite, what planet are you from…?” This essay by Victor Hugo Morales after Maradona’s goal against England would surely be the headline of any news anthology.
In an age when television is the media star, radio has been left behind. Yet this will allow millions of people to experience such events while at work, driving or in places where there is no television. Even if we are not paying attention, there is no background noise more fascinating than a football story.
A while ago we wrote a column asking what would happen to football without the media. Let’s rephrase it: What would happen to football without broadcasting?
Once they asked Black person Fontanarrosa, what is the most beautiful music for him:
“The one with the football broadcast,” he said.
Another time, during an interview, they asked him what ten things he would take to a desert island. He responded:
– A beautiful woman, a TV and a radio to listen to the game.
-The remaining seven…?
– Radio batteries. (profound)
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