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Born in San Marcos in 1971, Ricardo Andrade is one of the most prominent members of the musical movement known as “90s rock”. With the end of the internal armed conflict that was formed by the signing of the peace agreement on December 29, 1996, Guatemalan society has become a rich breeding ground for a large number of young people, mainly belonging to the Ladino urban middle class-mestizos, who seek to breathe new life into the cultural landscape and civic consciousness of Guatemala.
Rock music, influenced by sports Rubbish The music fashion that bands like Nirvana fostered, at the time, coming out of the North, was one of the main vehicles for expressing a desire for change and dissatisfaction with the status quo. StatusAndrade began his career as the lead singer of the band Stress, and later formed the band Ricardo Andrade y los Últimos Adictos. His charisma and good sense of melody, combined with lyrics that were simple but linked to the reality that the young people of the time identified with, made him the undisputed leader of the movement, loved and praised by the many young people who sang the songs he wrote, such as El Norte and El Cadejo.
Born in Andrade, Sebastián Pop, 34, began his musical career under the stage name Farruko Pop. He was also born in a small community of Izabal Livingston, outside the capital. Pop is q’eqchí’ and he also loves music, although rock is not his cup of tea. Farruko Pop loves banda music and since childhood he has sung songs by stars such as Espinoza Paz and Los Tucanes de Tijuana. Pop longed to sing and try the so-called fame, and he tried to succeed through the tools that young people today have: social networks and reality showstart to become a successful person InfluencersAll of these concepts did not exist in the Ricardo Andrade era, although it is now clear that he himself is one. Influencers Before the letter. In the aggressive Roman circus of social networks, Influencers They received not only applause, but also ridicule and mockery, and Farruko Pop was no exception.
(frasepzp1)
Farruko Pop tried to categorize well-known products, but failed Reality Although he didn’t make it to the Guatemalan version of the Mexican musical La Academia, he gained many followers in his attempts, he received support and attention from thousands of anonymous internet users, even though he was also subjected to racist ridicule for his indigenous origins, for the accent he had when speaking Spanish, and of course, for daring to dream that a boy from that nebulous world we call “the outback” in Guatemala City could become a star.
Despite their differences, Andrade and Pop were united by their love of music and their quest for fame, but they also shared a fatal fate that cut short their careers, closely tied to the dangers and darkness that come with being born and living in Guatemala.
Although Ricardo Andrade was already recognized and loved at home, he could not take the next step to go international, which was his career. On October 20, 2002, a little more than a month before his 31st birthday, he and the keyboardist of his band were caught in a gunfight while on a personal visit in a small town in the east of the country. The version offered by the authorities is that the attack was directed at another person who lived in the house visited by the musician and survived the attack, while the young musician died from the injuries he sustained.
For his part, Pop could no longer continue trying to infiltrate the Olympus of recognized stardom. On May 19 of this year, the young man was reported missing after he was last seen wandering in the center of the capital. Six days later, his body was found with signs of strangulation on the terrace of a house in the El Limon neighborhood, one of the most dangerous areas of the city. Influencers With ties to gangs and organized crime, it’s speculated that he may have acted in an extremely naive manner, accepting an invitation to a party without knowing the danger of the place he was in. That said, like Andrade’s death, Faruco Pop’s death would have occurred, as the film puts it, because he was “born in the wrong place and time.”
However, if you dig a little, shocking things emerge that make you question these simplistic explanations that are merely related to chance. Pop’s murder shocked a large number of Guatemalans who followed him on social networks, and it coincided with an unusual wave of crime. Some voices began to be heard, such as Juan Francisco Solorzano Foppa, a former prosecutor of the Public Ministry and former director of the Tax Administration, who said that this series of crimes was part of an attempt to destabilize the government of Bernardo Arevalo. It was not the first time that a premeditated wave of violence shook the country at a specific political moment. On the other hand, although other theories have never been explored, the death of Ricardo Andrade was the beginning of the end of the rock movement of the nineties. After his death, the rebellious and countercultural movement lost its strength, radio stations that played the music of young Guatemalan rock musicians suddenly changed their programs and began to play reggaeton, and the rock music of the nineties quickly disappeared. Many have been suspecting that Ricardo’s death may have been more due to his being the natural leader of a movement that could overturn certain immovable structures than a simple fatal combination of pure chance events.
To be sure, while one was already a young man, the other had barely left adolescence; one was a recognized star in the small country’s art scene, the other was just beginning to struggle to make a name for himself and gain recognition; one belonged to Guatemala’s dominant Ladino-Mestizo group, while the other was a young Guechi indigenous man, discriminated against and marginalized. What Ricardo Andrade and Farruko Pop had in common was two young men who loved music and tried to make something of their Guatemala, but died tragically in a country that was unwilling to listen to those who had something to say about their pain, a country where they could raise children. Their voices and daring to dream could be a crime that cost them their lives.
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