[ad_1]
- Ballet with a Prone Face: Pierre Moussa, PCT and the Art of the Backstep
In the incredible world of Congolese politics, the Congolese Labour Party (PCT) has once again provided us with the most shocking spectacle.
It was a spectacle worthy of the greatest theatre, in which the reversals were as sudden as the flip of a magician’s jacket on stage.
The star of the show this time was none other than Pierre Moussa, First Secretary of the PCT, who brilliantly performed a breathtaking backslide that would amaze even the greatest cyclists.
Picture the scene: On June 7, Pierre Moussa, surrounded by his comrades from the government of Anatole Collinet Makosso, proudly announced that the PCT was calling for an end to contracts for the sale or transfer of Congolese land.
« These transactions are illegal! » he declared with the conviction of an action movie hero. The departments in Poole, Buenza and Nyari can breathe a sigh of relief, we thought.
The PCT, like a masked vigilante, will save them from these nasty contracts.
But unfortunately, the reality in the PCT world is never that simple.
A few days later, at a Politburo meeting, Pierre Moussa changed into costume and, like a magician demonstrating his latest trick, declared that Rwanda’s land distribution was in fact perfectly legal.
Spell! What was illegal yesterday is legal today.
We were speechless, wondering if we hadn’t missed a single episode of this twisty political drama.
This surprising turn of events puzzled not only PCT activists but all Congolese.
How do we explain this sudden and disturbing turn?
Should we view this as a shrewd political strategy, or simply a new manifestation of the party’s legendary contradictions?
Like a good political acrobat, Pierre Moussa seemed to have a ready answer: “ Mr. Jourdain wrote prose without realizing it », he seems to be telling us.
In fact, PCT shot itself in the foot in its mad pursuit of consistency, with a precision that borders on skill.
Backpedaling is an image that fits the PCT perfectly.
At these speeds, one could almost imagine them, one in front of the other, pedaling full speed to escape their own contradictions, then suddenly reversing into a controlled skid.
Over fifty years of strategy, refined to perfection, each transformation executed with the grace of a prima ballerina.
What else can we say about Pierre Moussa, except that he is the principal dancer, spinning according to political needs.
To illustrate this regression, we can imagine a bicycle with its wheels spinning backwards, or a ballerina performing a grand fashion show backwards.
Because at heart, the PCT is an artist of paradox, turning every political spin into a fascinating but somewhat bewildered spectacle for the Congolese public.
So, dear Congolese, make yourself comfortable and enjoy the show.
The PCT featuring Pierre Moussa always brings us surprises.
It remains to be seen whether this ballet of U-turns will one day reach its conclusion, or whether it will continue to amaze us and politically regress us for decades to come.
Serge Armand Zanzara, Journalist and writer
[ad_2]
Source link
