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Does not exist in City of God: The Fight Never Stops The magical rhythm of the original 2002 film.
But there is a kind of excessive violence that sanctifies Ali Muritiba,director New Cangaso (Amazon Prime Video), where gunfire almost always overlaps with dialogue and the fast pace of the game dominates.
There’s even a shooter/player’s point of view, with a photo overlay made by Wilson/Buscapé (Alexander Rodriguezwho also played the role twenty years ago), is now an award-winning photojournalist specializing in documenting death.
The story takes place in 2004, 20 years after the last film, and the characters have aged. Since it is not clear whether it is aimed at the original film audience or the newly arrived audience, the series eventually uses exaggerated digressions to explain or remind the audience Who is whoincluding minor characters, with the result that the plot is truncated with mini-flashbacks and is often boring.
Once that obstacle is overcome, however, the story the show begins to tell is a good one, namely how militias gained power in Rio’s neighborhoods while “amateur” drug trafficking turned into an extremely powerful faction organized (and armed).
At the heart of the story — which Wilson/Buscappé didactically reports off-screen, which is another problem — is a power struggle within the same drug family.
This is the thread that leads to two important new characters: the boss Curio (Marcos Palmera, who is excellent in the role), whose power is contested by his own son Braddock (Thiago Martins), in a plot that has a somewhat Shakespearean plot.
Some well-known characters have already appeared, including corrupt police, militiamen, journalists, a single mother with an entire community on her shoulders, dreamy politicians and other cynical realists.
However, something was missing.
Directed by Fernando Meirelles and Katia Lund, City of God wowed audiences and critics alike when it premiered in 2002. The film tells the story of two friends, cast by unknown actors, many of them young and with similar origins to the characters they play, who grew up in the same slum and took different paths in life, between crime and adversity.
Scenes such as the long take shot of a chicken running away to avoid being stewed become symbols, as do the characters of Dadinho/Ze Pequeno and Buscape.
This work is adapted from Paul Lins novel It’s a bittersweet narrative that shows the birth of something as serious and grotesque as the war between drug trafficking and police in Rio, from the perspective of a teenager who transitions very early into adulthood.
By mixing together bits of new cinema, the style of Italian neorealism and some music videos, Meirelles creates a new rhythm to tell a brutal but very human story.
Muritiba has his own style, is talented, and is supported by Meirelles, who signed the production along with Andrea Barata Ribeiro. Perhaps more in tune with today’s times, the frantic pace of the heroic film game, our short attention span.
But while there are so many works on display, they also lack the same impact that made them one of the most memorable works of national cinema.
“City of God: The Struggle” will premiere on Max and HBO this Sunday (25th) at 9 pm, and new episodes will be updated weekly until the end of September.
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