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In 1979, a well-curated music store could help shape a scene and foster a community. They were landmarks, had cultural influence, and for someone like Angus, provided the new sense of self he was looking for.
“Back then, music was a door,” Ogilvie said before the screening. “Into a world of ideas.”
The store plays a big role in the film, reflecting the era. It was in the pharmacy that he met Kirsten – Stella Bennett (Beni) in her first film role—and buys cough syrup and KY (neither for its stated purpose).
Cinematographer John Christoffels’s detailed depictions of the businesses and houses in the film give you a sense of the era, and the art department did an excellent job with the sets, especially the houses.
This is where Angus works things out – when he’s not in a record store or school, places we don’t know much about – and his process of discovery is filled with a sense of intimacy and loneliness that will be familiar to many.
He swapped out Wallabees for winklepickers and taped his trousers tighter, and it was all charmingly DIY.
Ed Oxenbould does a great job as Angus, capturing a naivete that is essential to believing in the character’s arc. It would have been easy to play a scowling, angst-ridden teenager, but his wide-eyed, soft-cheeked optimism makes his determination endearing.
This is Angus’s story, and we see everything through his eyes, which means we only get brief interactions or surface readings of some characters – like the edgy Holly (Roxie Mohebbi) There is definitely more to her story than she lets on or what we see.
Everyone is pretending to be real, but who is the real pretender?
The Conceptual Support of Cultural Inferiority Heading South“We’ve always worried that what we do in New Zealand might not be up to par,” Ogilvie said of the film. “It’s very much a celebration of creativity.”
Heading South Christchurch Station opened New Zealand International Film Festivaland was screened in Auckland on Sunday, August 11. Ogilvy was Historic Civic Theater Introducing the film, and some of the young actors, tells the audience that the film is from a specific time and place, while emphasising its autobiographical nature, talking about his own time in the band, the ‘infamous’ Gladstone Hotel (home to the city’s underground music scene) and the Flying Nun show Child Hour.
How much of this movie is true?
“Everything you’re about to see on screen happened; most of it happened to me,” Ogilvie said. “It’s the truth. It’s not a lie.”
Watching it all unfold, his appearances weaving through the adventures and awkwardness of adolescence, Angus’s eccentric family, and his struggle to get his hands on a bass, that fact felt all the more weighty as the tributes rolled.
This is a very specific, very personal local film, and Ogilvie calls for a “coup” in the civic arena. “There needs to be a new pride in supporting our own stories,” he told the festival audience, calling for a rejection of America’s “colonization” of our ideas and creativity. “Cinema needs to be taken back.”
exist Deep South The main creative influences were British; whether it was elegant tea sets or imported indie records, Christchurch was seen as an Anglophile city, and the King’s Road was talked about with mythical proportions.
We see Angus and other characters attempt to approximate the style of a faraway subculture, and these efforts provide many of the film’s comedic beats.
Its portrait of the acquisition and dissemination of musical and cultural knowledge in Christchurch in 1979 is fascinating, and a striking reminder of how inaccessible some music is.
The film’s notable feature is that it is accessible and despite the niche subject matter, the storyline is handled in a way that ensures that a wide audience can enjoy it.
Those with some knowledge of music and New Zealand will find this a universal coming-of-age film, while those who lived through the period firsthand will appreciate the inside jokes and you-have-to-be-there references.
The ending song is also by Shane Carter From Straitjacket Fits. Ogilvie directed the music video for the band’s 1988 hit She accelerated.
southward The characters ponder the question of direction, and for Ogilvie, this seems to come full circle.
Emma Gleeson yes The HeraldDeputy lifestyle and entertainment editor. Based in Auckland, she covers culture, media and more.
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