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There’s a huge space in the center of Florence – 17,000 square meters – that has been lying unused. A new cultural center, run by the company Artea, is due to open in 2026 and will include a museum, an art school, studios for artists and artisans, a café and bookshop, a restaurant and a wine cellar.
This place, a former monastery, first Benedictine and later Franciscan, abandoned from the 1990s until 2020, is now transformed into the Museo Sant’Orsola and will become the first center in Florence entirely dedicated to contemporary art, located in the historic San Lorenzo district, effectively reinforcing the work carried out in this field by the Manifattura Tabacchi, a rationalist complex of 16 buildings built from the site of a former factory – Palazzo Strozzi – and other urban realities. The idea was to create a cultural center that would both tell the story of the past and the remains of the place, and comment on current historical fragments.
During the renovation period, cultural activities such as open-air cinemas, exhibitions, and artist residencies will be held alternately.
“Revelation” Exhibition
The museum is directed by Morgane Lucquet Laforgue. The “Apocalypse” exhibition will run until October 27, 2024 and features a site-specific installation conceived by two artists, Marta Roberti and Juliette Minchin. The artists on display will enrich the museum’s collection.
Juliette Minchin created the installation in the outer chapel where Lisa Gherardini was buried in 1542 Soufflé It interacts with the archaeological site. The French artist has restored the history of this special place, where the Baroque remains were demolished and transformed into a tobacco factory with the arrival of Bonaparte in 1810. Minchin has created an intimate environment, with windows covered with soft volutes that imitate sails blown by the wind, curtains, plastic and sensual straps. The edges of sheets and curtains are also placed on the handrails. The pink color of these sculptures evokes warm skin tones, and you will be even more surprised when you discover the material used by the artist: it is wax! In fact, Minchin plays with the subtle transitions between opacity and transparency as the light floods the space through the wax “glass windows”.
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