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Requiem
Written by Subhashni Kaligotra
Requiem
Honey, what do you have left?
Troubled myself
Like the complex writings of ancient kings
Speaking
Across time:
Memory Scars
Cascading
On the red rocks
Solving the problems of drought and uninhabited areas
land; body terrain
Cracked, covered
Later scripts, later battles
In later languages.
Like the king expressed
remorse
For the fight
in
He destroyed and expelled
And cut off
Hundreds and Thousands
From the beloved,
Like the king inscription
His sadness
Not in place
He left scars—
That is,
Not in Kalinga,
I am also
Write down her sorrow
elsewhere.
Image source: The Paris Review
pass
Subhashini Kaligotla is an art historian specializing in ancient and medieval South Asia. Her area of expertise extends from architecture in the first few centuries B.C. to the first millennium AD. Specific research interests include sacred space (Brahmanic, Buddhist, and Jain); the medium of makers, materials, objects, and space; the dialogue between visual and textual representation; and historiography.
She is the author of Shiva’s Seaside Temples: Architects and Their Audiences in Medieval India (Yale University Press, 2022), a book centered on the ingenuity of medieval Deccan Indian craftsmen. The book rethinks the epistemology of temples in the first millennium AD by drawing attention to the creative resources of architects and the shared aesthetic values and bodily experiences of diverse audiences moving through medieval spaces.
Her current book project, titled Seeing Ghosts, explores iconography of death and the afterlife in South Asia and across the Indian Ocean region. The project addresses funerary rituals, mourning and commemoration, non-earthly realms and the afterlife, and otherworldly beings such as Yama, the god of death, and bhutas, pretas and pishachas, ghosts and ghouls. While continuing the focus on architecture and sculpture, research also incorporates textiles, paintings, painted scrolls and other media from the subcontinent and the oceanic and coastal regions that connect South and Southeast Asia.
Prior to joining the Department of Art History and Archaeology, Professor Kaligotla taught at Yale University. Her teaching and mentoring covers all aspects of the visual culture of the subcontinent: from ancient India to the modern and contemporary periods.
She is a practicing poet and the author of the poetry collection Birds of the Indian Subcontinent, and has published poems in literary journals and anthologies in India, the United Kingdom, and the United States.
Selected Publications
books
The Waterfront Temples of Shiva: Architects and Their Audiences in Medieval India (New Haven and London: Yale University Press, 2022).
Birds of the Indian Subcontinent (Bangalore: (Greater) India Poetry Collective, 2018).
article
“Things in Themselves: Architectural Images and Their Power in Early Deccan India.” RES: Anthropology and Aesthetics 75/76 (2021): 59-73. https://doi.org/10.1086/715526.
“Words and Pictures: The Ramayana Tradition and Pictorial Art.” Religion 11, no. 7: 364. https://doi.org/10.3390/rel11070364.
“The Nameless Temple: Deccan Architecture and the Paradigms of Indian Sacred Architecture.” In Paradigms and Values: From Antiquity to the Present, edited by Larry Silver and Kevin Terraciano, pp. 92–113. Los Angeles: Getty, 2019.
“Beyond Boundaries: Claiming Conceptual Space for Early Deccan Architecture.” Getty Research Journal, No. 8 (2016): 1-16.
Selected Publications
Cover of the book “Shiva’s Seaside Temple”
Seaside temple of Shiva
Subhashni Kaligotra
Birds of the Indian Subcontinent book cover
Birds of the Indian subcontinent
Subhashni Kaligotra
head office
826 Schermerhorn Hall
mailing address
Art History and Archaeology · Columbia University, 826 Schermerhorn Hall · 1190 Amsterdam Ave · New York, NY 10027
Barnard Art History Office
Diana Center, Room 500, Tel: (212) 854-2118 Fax: (212) 854-8442
Source: Department of Art History and Architecture, Columbia University, New York.
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