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As a film lover, how did you react to the death of Alain Delon?
Daniel Colin The Sarreguemines Eastern Film Archive Association said: “With the quality of the films and great directors like Visconti, it marks one of the richest periods of French cinema. Alain Delon has always been a great professional in everything he does. His choice of films is very interesting. Plenty of sunlight Directed by René Clément (1960), he showed all his acting talent. But like any great actor, he got lost in things that were not so good…”
Is there a particular movie you have in mind?
“No, but it must be said that in the 1980s French cinema started to become poorer. Actors like Alain Delon needed good scripts and good casting. Alain Delon was an actor who pushed cinema forward because directors and authors copied his personality into the characters they created. Plenty of sunlight he was completely relieved. »
What do you think is Alain Delon’s most striking feature film?
“A film that shows both sides of Delon: Plenty of sunlight A thriller in which he is very mysterious, cautious, and he plays it with great restraint; Cheetah (1963), he displays all his physical strength, but he doesn’t overdo the role. He doesn’t hang around. »
Is French cinema losing a monument?
“Not a monument, but a star, like a star BelmondoDeron was very eye-catching in his time. ILodi in the basement In Henri Verneuil’s The Works (1963), Delon played with the divine monster Jean Gabin. He had none of his place. But he did not live through the glory days of French cinema: it was not his fault…”
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