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If this is just CIMA – Italian Center for Contemporary Art The sad announcement of the closure of the New York Academy of Art has made headlines in major industry newspapers, from Art Newspaper to the New York Times, from artnet to the lively Italian network, where the old guard can shrug at the founder. Laura Mattioli,daughter Collector Gianni Pretend she was a troubled heiress. But at Philadelphia University and San Francisco University art departments, many professors and students were shocked. They closed the art schools, and then they found out, come on Local newspaper.
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What happened in the United States? “Donations and memberships have always been 100% deductible for US taxes, even for the middle class, but after the pandemic, the funds are not received and budget problems are common,” said Ms. Mattioli. “As CIMA, we have reached 24% of external donations, but as a public charity, we have to reach 30% through 12 different donors. The project has an annual budget of 1-1.2 million US dollars, a goal that is within the capabilities of the Center for the Study and Promotion of XX Century Italian Art, which has rapidly gained international reputation since 2013. A total of 13 exhibitions Medardo Rosso A Fortunato Depero Egypt George of ChiricoYes Mimmo Rotella A Mario Schifano Egypt Nanni Balestrini, This led to the Museum of Modern Art to take Italian works out of storage or to buy them to complete a public collection that did not have them. ” Instead, the Italian and Italian-American communities, with entrepreneurs who own offices and earn a good income, remained on the sidelines. There was no immediate return. In fact: “The growth of expenses, the many difficulties typical of Italian art exhibitions, combined with the disincentives of very expensive museum loans and private loans, due to the fear of notice and dubious customs, forced us to abandon our project. The funding of 25-30 thousand dollars per research project of 5-6 months gave rise to an original and educational project, despite its design for its innovative value. With 2-3 curators of mixed Italian and American training, an annual exhibition was born. Nothing could be better, not even scholarships storehouseCold Spring Italian Series. Our average exhibition fee is $200,000, and works on paper are $100,000. But the focus is no longer on the quality of the work, but on the social background of the artist. “
and social realism that welcomed separatists or Jewish expatriates fleeing racial persecution Corrado Cali Now, he no longer considers, as Americans do, that the museum institution itself and Western and European art in general are “a legacy of colonialism and imperialism”. He turns his attention to the art of South America, Africa and women, insofar as they belong to minorities and identities that have been rarely represented so far. ” And Italy’s Greco-Roman culture, confused overseas with ancient slavery and imperialist dreams of the African past, “becomes untenable” as it is relegated to unrecognizable ruins and suspicion of Nazi-fascism. Moreover, the wedge of contemporary art trends has weakened people’s sensitivity to art. “Smart pseudo-galleries are being created in the United States, selling colorful, non-binding post-pop objects, whose themes or art refer to everyday life and can be understood by everyone. Contrary to the contemporary trend of crypto-criticism, certain elites pride themselves on being the interpreters of it. According to specialized associations, there is a lack of candidates for scholarships, as the trends so far have had an adverse impact on art Association of Art History Institutions».
So is it better to close it?
«The difficulties are too many. External donations of 200-300 thousand dollars per year come from 250 members, most of whom only pay the basic membership fee of 125 dollars, but some also donate 500-1000 dollars. Two permanent supporters provide 60 thousand dollars in donations, and about 20 thousand dollars contribute to the activities. The financial supporters are Americans, some of them are Italians. About 2/3 of the budget goes to fixed expenses (rent, daily maintenance, permanent staff – 4 permanent staff and 4 external collaborators), and only 1/3 covers the costs of exhibitions, scholarships and events. “
Where are the Ministry of Foreign Affairs, MAE and institutions, including banking institutions? Italian art is at risk of “remaining a local affair”, Futurism is a fascist copy of Russian Cubo-Futurism, the younger brother of Cubism. Or can someone do something?
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