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A large-scale collective exhibition of ceramic art, “Ceramic Art of the Maltese Islands”, is currently on display at the Victoria Castle Cultural Centre until August 27. Set against a rough golden wall, the works create an undeniably natural atmosphere, reminding the viewer of the land from which they were born.
Among the colorful selection you’ll find a variety of figures and faces, from Adam and Eve to relaxed dancers and friends, organic works including giant seed heads and geological and underwater abstractions, and pottery vases reminiscent of ancient archaeological finds.
In striking monochrome, Ġgantija lapwings and prehistoric horses adorn Barbara Attard Pettet’s wheel-fired raku pieces with a pleasing simplicity.
Makeup artist Justin Brincat’s creation of Madame Camille, a long-necked elegant lady, is stunningly beautiful, while Sue Bencini’s image of a woman wearing a beautiful sun hat is a delight to the eye.
Shocking Spring Beauty Miriam Abani’s large plates painted with innocent flowers and bright colors bring smiles to the faces of the audience, while Kenny Schembri’s Dream Succubus MistressThis large sculpture depicts a horned demon seducing men in her sleep, her closed eyes looking up at the ceiling, and two unexpected, anatomically correct hearts, created by Damian Meliak in brilliant gold.
Dream Succubus Mistress By Kenny SchembriThis is a show full of emotions, from sadness to The controlled mind An interesting article by Charles Zammit, ruptureIn it, the character’s head is peeled off, revealing a disturbing figure with dead eyes and a facial expression reminiscent of The Scream.
Dolores Lungaro-Mifsud’s work introduces environmental themes Flying higha wall art piece made from ceramic and recycled wood. Standing one meter tall, it evokes a global view from above, with an abstract ocean and a stylized bridge connected through an interplay of shapes and shadows.
Mediterranean One and two Victor Agius incorporates earthy elements such as Gozotan blue clay. Terracotta and natural pigments, while Mariz Cassar Wirth Cavarra’s rusty red corals evoke underwater landscapes.
The works are exhibited against a rough golden wall, forming an undeniably natural backdrop that reminds the viewer of the land from which they were drawn.
Everything is close at hand and connected （Everything is connected) is reminiscent of the curled arms of an octopus, while Camilleri’s second workThe biggest grant （The greatest gift), a bird hangs from a wooden cross, interweaving an obvious religious reference with concerns about island hunting practices. Next to it, Christopher Saliba’s bold colors hang like a beam of sunshine over a series of white figures. The figures by Hermine Anna Sammut loll on the stones, conversing, relaxing, exuding humor in the summer heat, while next to them, waves crash against an intriguing wall work, Rhythm of the Oceanby Nadia Haber.
Soulmate By Mario SammutIt is worth mentioning that Mario Sammut’s freestanding figurative sculptures are distinctive and form-focused. His large-scale sculptures provoke people to think about the dynamics of relationships and interactions. SoulmateFor example, two abstract people are depicted in different tones, along with the timeless nature of human identity.
People’s behavior determines Modern Conversationa satire on people’s addiction to screens, features two people sitting side by side, hunched over their iPads.
His third work is Don’t cause troublea timeless sculpture of a figure in a boat – graceful in form as the shape of the boat reflects the calm waves below. Yet it is certainly a gentle commentary on immigration and migration. Perhaps its flowing, calming lines remind us that the stability most of us enjoy in the 21st century is the product of a society built over centuries and generations by people who all travelled by boat.
The exhibition is open daily from 9am to 5pm until August 27th and admission is free.
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