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Within the walls of the Teatro Vascellino, Uncle Vanya, the second phase of Chekhov’s triptych by Leonardo Liddy, a leading figure in contemporary art, offers a dizzying immersion in the bleak landscape of human existence.
Building on his masterful direction, already acclaimed at the Festival dei Due Mondi, Liddy orchestrates an emotional vortex that allows boredom and apathy to dissolve into a storm of inner torment. Imprisoned in a vital birchwood set, the characters move in a raw affective ballet of frustration and longing, like puppets moved by invisible strings of melancholy.
Massimiliano Speziani
Massimiliano Speziani, as Uncle Vanja, embodies the image of a man torn by impossible love and unbearable frustration. His monk-like body and husky voice give life to a character full of rage and despair, imprisoned in a cage of regret and unfulfilled desires.
Julianna Vigogna plays Sonia, a female image full of tenderness and melancholy. Her weak voice and transparent figure depict a pure soul that, despite being drowned in a sea of loneliness and uneasiness, longs for unattainable love.
Mario Pirrello plays Astrov, a disillusioned, cynical, sarcastic man who has given up on his dreams and numbs his pain with alcohol, and his performance paints a character tormented by a sense of his own existential emptiness.
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