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Mexico City (ratified). – puppy is Elena Garro’s iconic work about the situation of mothers and daughters in rural areas and the normalization of kidnapping. puppy A scathing comedy by Nelson Valente that questions the affluent social class by asking whether one wants to continue living as one does now, or if a change of direction is necessary.
The author uses humorous techniques to make the audience laugh when seeing the family dynamics; because of the plainness of the dialogues and because the male protagonist wants to break everything and start over.
Produced by Hannah Belluman and Ignacio Riva Palacio, Los Perros makes us laugh rather than cry, to avoid getting angry because of the repetition of characters and the difficulty of establishing a sincere and inclusive connection; to stay in the same place for fear of change.
Today is Laura’s birthday and they are celebrating it, even though she doesn’t like to celebrate. Her husband and his parents accompany her to a celebration she hates, with her father holding a microphone to fill the silence, or to block the space for others to speak.
exist puppyDirected by Cristian Magaloni, the two couples represent two generations, two moments in a relationship. Father and mother is an old relationship, the mother has accepted the father’s blindness. You listen to him in any meeting and repeat what he says over and over again; she no longer believes him or cares about what is important to him. He bears his situation by constantly protesting, but has no intention of moving things from where they were.
The father is oblivious to everything that is happening around him, he talks and talks and talks blindly until, at the end of the play, he is forced to react a little. Paloma Woolridge and Sofia Alvarez alternate the role of the mother, and in the performance in which Paloma plays her, her presence is wonderful. The actress creates her own strength from the minimization of the role and sets off the strength of her husband’s character with a good rhythm of humor; he gives his character a sympathetic character that positions him from marginalization.
Emilio Guerrero, as the father, plays a heavy role that is shamelessly unbearable; his indifference to his surroundings and recurring obsession with his subject matter create a revulsion that still resonates with certain viewers.
Paula Watson and Ignacio Riva Palacio are the actors who play this young couple. The flame of love in them is not extinguished but is corrupted by the daily life required by social conventions and the economic system they live in. In the first part of the play, she has remained silent, trying to understand and control herself, but when the moment comes, when her father dips her face into the cake without her consent, she vents her anger at herself and what she has done.
Paula Watson handles these two extreme moments with great skill, as does Ignacio Riva Palacio (alternating with José Ramón Berganza), who has an expressive quality that reflects the desire to look good and then explode, she from anger and he from overestimation. Because in this patriarchal system, the husband, although he starts out with great condescension, later turns his state into a state of great discomfort and self-centeredness. He does not care about his wife’s feelings or what she is going through, but what affects him is that he does not know what he thinks he means in her life, his feelings are invisible to him, focused on her confusion and her discomfort caused by her ability to rebel and admit her dissatisfaction. He also turns, but unfortunately the author does not give an alternative, because one would want a happy ending, as in a comedy.
puppy This is an engaging and satirical work that makes the audience laugh as it progresses; seeing the other side of the coin, that of good manners and appearances, where hierarchy is replicated and superficial ideas prevail at family gatherings. It is presented every Wednesday and Thursday at the Shakespeare Forum.
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